Box 2
Contains 27 Results:
Fantasia / Strains of the Scottish Bards, op.80, scored for orchestra, 4 pages, circa 1828
"Pour Cherubini," scored for piano, 1 page, 1836 July 1
Organ Part to Beethoven's 9th Symphony, 7 pages, 1838 May
Sonate Symphonique, scored for 2 pianos, 48 pages, undated
"Concert-Etude" [in F Major], scored for piano, 4 pages, undated
Comparison with scores in IMSLP indicates this piece is a version, possibly an advanced draft, of 4 Etudes de Concert, op. 111, no. 2 ("Le Carrillon"). The manuscript lacks any dynamic markings, and the final 20+ measures appear to contain only rhythmic and tonal sketches of their final form.
Abendlied von F. Rückert mit Klavier und obligato Violoncell begleitung, 8 pages, undated
Recollections of Denmark, op. 83, scored for piano and orchestra, 58 pages, 1830 May
The Gypsies' March: A Fantasia, op. 87b, scored for 2 pianos, 3 pages, 1833
Variations brilliantes sur la Marche de Preciosa, op. 87b, 2nd piano part of work scored for 2 pianos and orchestra, 14 pages, circa 1833
"Canzone Napolitana: Notturno," S.248, piano, 1842
Signed and titled by Liszt, and inscribed by him to Mademoiselle Claire de Gröditzberg.
“Ungarischer Sturmmarsch,” S.232, 1843
Inscribed by Liszt to Count Teleky, but not dated.
“Der ‘Asra’ / Lied von Anton Rubinstein,” S. 554/2, 1883
The first five pages in a scribal hand, heavily corrected by Liszt; the final two pages entirely in Liszt’s hand. Accompanied by a printed copy of Rubinstein’s song.
Theme et Variations, op. 73, for flute and piano, 18 pages, undated
Autograph manuscript entitled "Andante Cantabile / and seven variants" at top of page 1. Signed and designated "op 73" by composer on page 1.
“Le roi d’Ys [Act 1, Scene 2],” 2 voices and piano, 12 pages, circa 1875
The main character’s name is spelled “Margarid” throughout this manuscript, as was the case in the early, unstaged version of the work composed in the mid-1870s. This manuscript thus likely dates from that period, before the spelling was changed to “Margared” seen in the definitive edition of the score published by Hartmann in Paris in 1888.
"O Mädchen, mein Mädchen" from Friederike, sheet music, inscribed and dated by composer, 3 pages (music), 1933 August 27
Opening bars of Act II from La Bohème, 1 page, possibly mid-1890s
"Je n'ai rien su," song for voice and piano on signed manuscript, poem in German translation on separate leaf, 4 pages total, circa 1893
"Divertimento", 2 pages, undated
“Choral / Wer nur den lieben Gott läßt walten," choir and orchestra, 19 pages, 1829 July
Inscribed in English by the composer to C. Neate, July 1829 (likely Charles Neate, English composer and pianist).
