Scope and Contents From the Collection:

A collection of manuscripts for various works by American author and screenwriter Mary O’Hara (1885-1980), including the novella and musical screenplay “The Catch Colt”, “The Wyngate Children”, as well as the complete manuscript for her autobiography “Flicka’s Friend.” Also included is sheet music for compositions by O’Hara: “Green Grass of Wyoming” (1946), and “The Wind Harp” (1954).

Scope and Contents From the Collection:

A collection of manuscripts for various works by American author and screenwriter Mary O’Hara (1885-1980), including the novella and musical screenplay “The Catch Colt”, “The Wyngate Children”, as well as the complete manuscript for her autobiography “Flicka’s Friend.” Also included is sheet music for compositions by O’Hara: “Green Grass of Wyoming” (1946), and “The Wind Harp” (1954).

Scope and Contents From the Collection:

A collection of manuscripts for various works by American author and screenwriter Mary O’Hara (1885-1980), including the novella and musical screenplay “The Catch Colt”, “The Wyngate Children”, as well as the complete manuscript for her autobiography “Flicka’s Friend.” Also included is sheet music for compositions by O’Hara: “Green Grass of Wyoming” (1946), and “The Wind Harp” (1954).

Scope and contents note From the Collection: The Douglass Woodruff Papers are divided into seven series. The Correspondence Series comprises 12 boxes and includes separate sections of correspondence from Evelyn Waugh, Emily Hewett Woodruff (Woodruff's letters to his mother), Marie Immaculee Woodruff, and Mildred Woodruff Tschoeberle (Woodruff's letters to his sister). The letters in this Series contain discussion on a variety of topics, most notably Catholicism, the Tablet, literary endeavors of Woodruff and others, and news regarding...

Scope and Contents From the Collection: The Quigley archive is, properly speaking, the photo “morgue” of Quigley Publications, active under various titles since 1915 in motion picture industry trade publishing (Motion Picture Herald, Motion Picture Daily, and others). Primarily an assemblage of publicity photos, the archive is a unique national resource for photographs of motion picture industry people: producers, directors, animators, and their colleagues. Actors and actresses figure less prominently, but are well represented...

Scope and Contents From the Collection: The Quigley archive is, properly speaking, the photo “morgue” of Quigley Publications, active under various titles since 1915 in motion picture industry trade publishing (Motion Picture Herald, Motion Picture Daily, and others). Primarily an assemblage of publicity photos, the archive is a unique national resource for photographs of motion picture industry people: producers, directors, animators, and their colleagues. Actors and actresses figure less prominently, but are well represented...

Scope and Contents From the Collection: The Quigley archive is, properly speaking, the photo “morgue” of Quigley Publications, active under various titles since 1915 in motion picture industry trade publishing (Motion Picture Herald, Motion Picture Daily, and others). Primarily an assemblage of publicity photos, the archive is a unique national resource for photographs of motion picture industry people: producers, directors, animators, and their colleagues. Actors and actresses figure less prominently, but are well represented...

Series-level Scope and Content Note From the Series:

Contains correspondence (1954-1993) sent from various individuals to William H. Natcher. Much of the correspondence in 1973-1974 documents some of the public's reaction to the Watergate scandal. Included is correspondence from some of Natcher's Kentucky constituents, various companies, many interest groups, and officials at Western Kentucky University. The correspondence is arranged chronologically by year.

Scope and Contents From the Collection: The Quigley archive is, properly speaking, the photo “morgue” of Quigley Publications, active under various titles since 1915 in motion picture industry trade publishing (Motion Picture Herald, Motion Picture Daily, and others). Primarily an assemblage of publicity photos, the archive is a unique national resource for photographs of motion picture industry people: producers, directors, animators, and their colleagues. Actors and actresses figure less prominently, but are well represented...

Scope and Contents From the Collection: The Quigley archive is, properly speaking, the photo “morgue” of Quigley Publications, active under various titles since 1915 in motion picture industry trade publishing (Motion Picture Herald, Motion Picture Daily, and others). Primarily an assemblage of publicity photos, the archive is a unique national resource for photographs of motion picture industry people: producers, directors, animators, and their colleagues. Actors and actresses figure less prominently, but are well represented...

Scope and Contents From the Collection: The Quigley archive is, properly speaking, the photo “morgue” of Quigley Publications, active under various titles since 1915 in motion picture industry trade publishing (Motion Picture Herald, Motion Picture Daily, and others). Primarily an assemblage of publicity photos, the archive is a unique national resource for photographs of motion picture industry people: producers, directors, animators, and their colleagues. Actors and actresses figure less prominently, but are well represented...

Scope and Contents From the Collection: The Quigley archive is, properly speaking, the photo “morgue” of Quigley Publications, active under various titles since 1915 in motion picture industry trade publishing (Motion Picture Herald, Motion Picture Daily, and others). Primarily an assemblage of publicity photos, the archive is a unique national resource for photographs of motion picture industry people: producers, directors, animators, and their colleagues. Actors and actresses figure less prominently, but are well represented...

Scope and Contents From the Collection: The Quigley archive is, properly speaking, the photo “morgue” of Quigley Publications, active under various titles since 1915 in motion picture industry trade publishing (Motion Picture Herald, Motion Picture Daily, and others). Primarily an assemblage of publicity photos, the archive is a unique national resource for photographs of motion picture industry people: producers, directors, animators, and their colleagues. Actors and actresses figure less prominently, but are well represented...

Scope and Contents From the Collection: The Quigley archive is, properly speaking, the photo “morgue” of Quigley Publications, active under various titles since 1915 in motion picture industry trade publishing (Motion Picture Herald, Motion Picture Daily, and others). Primarily an assemblage of publicity photos, the archive is a unique national resource for photographs of motion picture industry people: producers, directors, animators, and their colleagues. Actors and actresses figure less prominently, but are well represented...

Scope and Contents From the Collection: The Quigley archive is, properly speaking, the photo “morgue” of Quigley Publications, active under various titles since 1915 in motion picture industry trade publishing (Motion Picture Herald, Motion Picture Daily, and others). Primarily an assemblage of publicity photos, the archive is a unique national resource for photographs of motion picture industry people: producers, directors, animators, and their colleagues. Actors and actresses figure less prominently, but are well represented...

Scope and Contents From the Collection: The Quigley archive is, properly speaking, the photo “morgue” of Quigley Publications, active under various titles since 1915 in motion picture industry trade publishing (Motion Picture Herald, Motion Picture Daily, and others). Primarily an assemblage of publicity photos, the archive is a unique national resource for photographs of motion picture industry people: producers, directors, animators, and their colleagues. Actors and actresses figure less prominently, but are well represented...

Collection-level Scope and Content Note From the Collection: The Parr-Smith Collection consists primarily of correspondence, clippings, medals and photographs collected by D. Harrison Smith and John F. Parr, most relating to their friendship with Edmund S. Walsh, S.J. and their connections with Georgetown University. The collection consists of 1 linear foot of material arranged in 24 folders in 2 boxes. The Smith-Parr Archives contain correspondence relating to John F. Parr's tenure at Georgetown University. Manuscripts by Parr and Smith are also in...