Box 17
Contains 10 Results:
Babu's Ju Ju: A Mime and Dance Play, 1974-03-01 - 1982
Choral, dance. By George Houston Bass, music by Noel Da Costa. Includes drafts, master copies on vellum, and copies (box 1), with a letter from Bass dated 1974-03-01, typed annotated librettos by Bass, and sketches, working copies, and finished drafts of songs by Da Costa (box 19). Disbound performance copies (box 17).
Ceremony of Spirituals (also Symphony of Spirituals), 1976
Cocktail Sip opera in one act, 1958
Opera in one act. Soprano, mezzo-soprano, contralto, tenor, baritone, bass baritone, chorus. Libretto by Townsend Brewster. Sketches, notes, and drafts (box 26).
Epitaphs, 1958
Soprano and string orchestra. Also titled "Five Epitaphs", poems by Countee Cullen to music by Noel Da Costa: For a Poet; For My Grandmother; For Paul Laurence Dunbar; For a Lady I know; and If You Should Go. Includes finished drafts on vellum, parts and full score, with copies (boxes 5 & 6). Bound copy and additional copies (boxes 17 & 19).
Fanfare Rythms, 1970
4 trumpets or trumpet choir and percussion. To Lorna Daniels. Finished draft on vellum with drafts (box 6, foldered with other fanfares). Conductor's copies with annotations (box 17).
Five Verses / With Vamps, 1968-08
Cello, piano. To Evalyn Steinbock. Sketches, drafts, finished draft on vellum, and copies (box 6). Performance copies with annotations (box 17). Photocopies (box 19).
In the Circle, 1970
Interpolation on a Hatian folk tale, for four electric guitars, fender bass, and percussionist. To Richie Resnicoff. Finished drafts of full score and parts on vellum, copies, and working copies (box 8). Annotated conductor's copy (box 17).
Singing Tortoise, 1974
Musical play in two acts for youth chorus, adapted from an Afro-Hatian folktale. Full score and various parts represented in finished manuscripts on vellum and working copies (box 12). Anntated performance copies, disbound (box 17). Promotional materials, sketches, working copies, original costume designs (box 20).
Blue Memories, 1987
Orchestra. Master sheets on vellum with copies, working copies, and drafts for parts and full score (box 2). Disbound performance copies (box 17). Working copies (box 18). Reduced copies and working copies (box 19). Notes and sketch (box 26). Finished draft of the orchestral score in pencil on vellum (box 29).
Time Patterns, 1990 - 1991
Harpsichord and bassoon. To David Miller. Finished draft (box 14) and copies (boxes 17 and 20). Working copies and draft (box 18). Performance copy and photocopy (box 26).