Box 19
Contains 37 Results:
Epitaphs, 1958
Soprano and string orchestra. Also titled "Five Epitaphs", poems by Countee Cullen to music by Noel Da Costa: For a Poet; For My Grandmother; For Paul Laurence Dunbar; For a Lady I know; and If You Should Go. Includes finished drafts on vellum, parts and full score, with copies (boxes 5 & 6). Bound copy and additional copies (boxes 17 & 19).
Extempore / Blue, 1969-07
Solo piano. Finished manuscript with working copies and sketches (box 6) and copies (box 19).
Fanfare for an Opening, 1984-10-28
Solo trumpet with street noises. Performed at the Arts Booth, Broadway Mall. Draft and sketches.
Fanfare Rythms, 1970
4 trumpets or trumpet choir and percussion. To Lorna Daniels. Finished draft on vellum with drafts (box 6, foldered with other fanfares). Conductor's copies with annotations (box 17).
Five / Seven, 1969-9
SSA, organ. Music by Da Costa for three voices for women, with music for organ or "2 instruments in range", e.g., viola or cello. Copies.
Five Verses / With Vamps, 1968-08
Cello, piano. To Evalyn Steinbock. Sketches, drafts, finished draft on vellum, and copies (box 6). Performance copies with annotations (box 17). Photocopies (box 19).
Four Glimpses of Night, 1964
Setting for baritone with brass quartet, drum set, vibraphone, and piano to the poem by Frank Marshall Davis. Sketches, drafts, finished drafts and copies on vellum including score, parts, and instrumental reductions (box 7). Copies (box 19).
Four Haiku Settings, 1964-04
2 versions: soprano with piano, and soprano with xylophone and vibraphone(one player), celesta and piano (one player). Features haiku by Issa, Taiga, Ryota, and Chine-Jo. Finshed drafts and copies of both versions (box 7). Copies (box 19).
Four Preludes for Trombone and Piano, 1973
Commissioned by Robert Gillespie. Sketches, drafts, working copies, and finished drafts on vellum (box 7). Copies only (box 19).
[Music for] The Fun House, 1968-09
Text of the play by George Houston Bass. Photocopy of Bass's typed draft with annotations and corrections, marginal notes by Da Costa as well. Includes typed lists of musical cues and revisions with page references, and autographed notes with a performance timeline by Da Costa.
Generata, 1958-04
Organ and String Orchestra. For Lorna. Written by Da Costa for his graduation recital at Juilliard School. Photocopies (box 19).
Generations, 1985
Composition by Da Costa as epilogue to "A Play Called Music", featuring narrator, dancers, chorus, percussion. Notes, drafts, clippings and copies (box 19).
Harriet, Harriet, 1982 - 1984
Drafts, sketches, working copies, and finished drafts on vellum (box 8). Correspondence regarding permission to adapt the picture book "Harriet and the Promised Land" by artist Jacob Lawrence for a performance by the Boys Choir of Harlem (box 19).
Hodie Christus Natus Est, 1992-10
SATB. Finished draft on vellum and sketches (box 8). Sketches, drafts, notes, master copies and working copies (box 19).
Blue Memories, 1987
Orchestra. Master sheets on vellum with copies, working copies, and drafts for parts and full score (box 2). Disbound performance copies (box 17). Working copies (box 18). Reduced copies and working copies (box 19). Notes and sketch (box 26). Finished draft of the orchestral score in pencil on vellum (box 29).
Ceremony of Spirituals (also Symphony of Spirituals), 1976
Gabriel's Trumpet (also Gabriel's Tune for Judgment Day, Gabriel's Call, Five Spirituals for Baritone and Piano), 1964 - 1991
Sketches, drafts, working copies, and finished drafts on vellum (box 7). Copies, notes, and working copies (box 19). Photocopies (box 26). Copies, sketches, and drafts (box 29).