Box 3
Contains 26 Results:
Les Deux aveugles, autograph manuscript, 38 pages, 1855
The complete manuscript of Offenbach’s first great success, housed in a quarter green morocco binding stamped “J.O.”, at the foot of the spine.
“La Poste,” autograph manuscript sketch, 1 page, undated
Untitled autograph manuscript sketch, 8 pages, in German, undated
“Fede, Speranza e Amor Divino,” 25 pages, undated
Autograph manuscript of an apparently unpublished cantata for 3 voices, chorus, and small orchestra; possibly lacking a few leaves at the beginning of the instrumental introduction.
“Polonaise," op. 158, no 3, from the opera Die Räuberbraut, signed autograph music manuscript, 7 pages, 1830
An inscription in English at the top of page 1: "'Polonaise' of the opera 'The Robber Bride' arranged as a Rondo for the Pianoforte by Ferd. Ries Frankfort a/M 1830 to appear engraved the 15 of [August?] 1830 at Mr. Halve's in London – S Richault in Paris – Peters in Leipzig." Also inscribed at top is the opus number: "op. 158 no. 3"
Hommage à Beethoven, scored for 3 pianos, circa 1838-1840
“Diora’s Klage,” scored for mezzo-soprano and piano accompaniment, 6 pages, 1855 April 6
"Untitled," principal violin part [of an unidentified larger work?], 4 1/2 pages, undated
Attestation of authenticity at bottom of page 1: "Original Handschrift von Ignatz Moscheles / Die Aechtheit verbürgt Adolf Müller."
“Magyaren Klänge,” op. 123, scored for orchestra, 2 pages, 1852 March
"Humoristische Variationen Scherzo und Festmarsch,” op. 128, scored for piano 4 hands, 32 pages, 1858
With inscribed dedication to Ferdianand Hiller on title page.
No. 1, "Gieb uns täglich brod," music manuscript, scored for voice and piano, 4 pages and title, 1859 November 10
No. 3, "Schmetterling und Liebchen (von W. Gerhard)," music manuscript, scored for voice and piano, 2 pages, 1859
Meditazzione, Parole del Sigr Salvatore Marchesi, scored for voice and piano, 6 pages, 1851 December 28
“Adagio patetico und Allegretto grazioso,” scored for piano 4 hands, 24 pages , 1867 August
March and Scherzo as Rhythmic Exercises, op. 141, scored for piano,10 pages and 2 title pages, 1868
No. 4, “Grossvater Tanz,” scored for piano 4 hands, 6 pages, 1866 September
All three portions of Familienleben present here bear numerous corrections in ink and via pasted-on staff paper.
No. 11, "“Schnellschritt," scored for piano 4 hands, 8 pages, 1866 August
All three portions of Familienleben present here bear numerous corrections in ink and via pasted-on staff paper.
No. 12, “Canon alla Tarantella,” scored for piano 4 hands, 8 pages, 1866 September
All three portions of Familienleben present here bear numerous corrections in ink and via pasted-on staff paper.
"Deingedenken," scored for soprano or tenor and piano accompaniment, 3 pages plus title, 1873 March 4
Inscribed at top of the title page: "Theod. [illegible] Leopold Janotta in Würdigung seiner Verehrung für den Componisten. Wien. 4.3.73."
