Box 2
Contains 27 Results:
Autograph musical quotation signed (four measures from the last act of La Solitude de Sapho), Genova [Genoa], 1 page, 1899 January 20
“Waldschloss”, autograph music manuscript, 1 page, undated
Sechs Zweistimmige Lieder, op. 63, copyist's manuscript, 24 pages, circa 1844
“Choral / Wer nur den lieben Gott läßt walten," choir and orchestra, 19 pages, 1829 July
Inscribed in English by the composer to C. Neate, July 1829 (likely Charles Neate, English composer and pianist).
Theme et Variations, op. 73, for flute and piano, 18 pages, undated
Autograph manuscript entitled "Andante Cantabile / and seven variants" at top of page 1. Signed and designated "op 73" by composer on page 1.
“Le roi d’Ys [Act 1, Scene 2],” 2 voices and piano, 12 pages, circa 1875
The main character’s name is spelled “Margarid” throughout this manuscript, as was the case in the early, unstaged version of the work composed in the mid-1870s. This manuscript thus likely dates from that period, before the spelling was changed to “Margared” seen in the definitive edition of the score published by Hartmann in Paris in 1888.
"O Mädchen, mein Mädchen" from Friederike, sheet music, inscribed and dated by composer, 3 pages (music), 1933 August 27
Opening bars of Act II from La Bohème, 1 page, possibly mid-1890s
"Je n'ai rien su," song for voice and piano on signed manuscript, poem in German translation on separate leaf, 4 pages total, circa 1893
"Canzone Napolitana: Notturno," S.248, piano, 1842
Signed and titled by Liszt, and inscribed by him to Mademoiselle Claire de Gröditzberg.
“Der ‘Asra’ / Lied von Anton Rubinstein,” S. 554/2, 1883
The first five pages in a scribal hand, heavily corrected by Liszt; the final two pages entirely in Liszt’s hand. Accompanied by a printed copy of Rubinstein’s song.
“Ungarischer Sturmmarsch,” S.232, 1843
Inscribed by Liszt to Count Teleky, but not dated.
"Divertimento", 2 pages, undated
Four untitled autograph music manuscripts, 8 total pages, undated
1) Sketches for a song for treble voice and piano, 2 pages.
2) Sketches for two parts of an opera, scored for voice and full orchestra, 2 pages.
3) Sketch for a song for treble voice and piano, 1 page.
4) Piano reduction of a piece intended for orchestration, comprising bars 290 – 353. 3 pages, numbered 15-17.
“Marine / Duo pour voix égales, poeme de Camille Distel,” signed autograph music manuscript, 2 pages, undated
“Joie," signed autograph music manuscript, in F major, 2 pages, 1868
“Scenes alsaciennes,” signed autograph music manuscript, 1 page., 1886 November 15
Title leaf only, with the composer’s vigorous comments about necessary corrections to be made, signed with initials (three times).