Box 1
Contains 32 Results:
Musical sketch, 2 pages, undated
The sketch was left undated by Albrechtsberger, but the attestation of authenticity written by music collector and appraiser Aloys Fuchs in the margin of the manuscript is dated 1842 December 3.
Sonate Appassionata (opus 57), a bound facsimile of the score, published in Paris by Piazza, undated but 1927
Number 1040 of 1250 copies. A high-resolution facsimile of the original manuscript score. A facsimile of the note by Baillot's son testifying to his father's ownership of the original is tipped onto the inside front cover, as in the original. The upper panel of the dust jacket is laid in.
The Autograph of Three Masters (Beethoven, Schubert, Brahms). Bound facsimile, 5 pages. London: Chiswick Press, 1942
This is a facsimile of a famous manuscript that on its inner two pages has the only known autograph copy of Beethoven's song "Ich liebe dich", and on its outer two pages an unfinished sketch by Franz Schubert of the 2nd movement of his Sonata in D Flat. The manuscript was later owned and signed by Johannes Brahms.
“Breit' ich mein Linnen auf Rasen und Rain,” no. 7, from 8 Lieder, op. 37, signed autograph music manuscript for voice and piano, set to poem by Rudolph Baumbach, 4 pages, 1888 September
Signed and dated at end: "September 1888 Gmunden C Goldmark"
"Polyeucte : Modification du duo du 4eme acte: Polyeucte et Pauline," autograph music manuscript, 5 pages, undated
“Notes pour le ballet de Polyeucte,” autograph music manuscript, 6 pages, undated
At top of page 2: "No. 3. La Déesse Vénus. (Pas des Nymphes.)"
In Principio, for four-part chorus and organ, possibly sketches, 8 pages, undated
“Projet d’Air de Ballet pour La Reine de Saba,” autograph music manuscript signed, 4 pages, 1862 January
Fully scored though instruments not specified.
Stabat Mater, scored for solo voices, chorus, orchestra, and organ, autograph music manuscript signed, 6 pages, undated
D'un coeur qui t'aime, autograph music manuscript signed, 12 pages, undated
The work is subtitled "Duo pour Soprano et Contralto avec accompt de Piano, Violons, Altos, Violoncelle et ContraBasses et deux Cors." Credits given in Gounod's hand: "Poésie de Racine (Choeurs d'Athalie). Musique de Ch. Gounod". At the top of the title page is the inscription: "A mes amies Marie Thérèse de Ségur et Marie de Goulaine." Toward the foot of the page Gounod wrote: "Ce manuscrit appartient à Marie de Goulaine. Ch. Gounod"
D'un coeur qui t'aime, sheet music, for Soprano, Contralto and piano, 10 pages, undated but circa 1900
Published by Henry Lemoine & Cie, 17, Rue Pigalle, Paris. -- Bruxelles, 13, Rue de la Madeleine.
"Valse," piano , undated
Scherzo in C-sharp minor, op. 2, no. 1
Capriccio in B minor, op. 2, no. 4
Villanelle pour Cor et Orchestre
“Roundel / A. C. Swinburne”, 1887 May
"Il nome indovinato," signed autograph manuscript of a canzonetta scored for voice and piano, 2 pages plus title page plus sketch (4 pages total), Bologna, 1816 August 7
On the fourth page of this bifolium is a sketch of an unidentified vocal work, possibly a duet.
"Troppo e vezzosa la ninfa bella," autograph manuscript of a song scored for voice and piano, 2 pages, undated
Violin Sonata in A Major, FWV 8, 1886
"Litanies de la Sainte Vierge" for Notre-Dame de Foi, 1887 October 29
Written for the collection of l’Abbé Grivet.
