Moscheles, Ignaz, 1794-1870
Dates
- Existence: 1794-05-23 - 1870-03-10
Found in 25 Collections and/or Records:
Abendlied von F. Rüchert mit Klavier und obligato Violoncell begleitung, 8 pages, undated
“Adagio patetico und Allegretto grazioso,” scored for piano 4 hands, 24 pages , 1867 August
"Concert-Etude" [in F Major], scored for piano, 4 pages, undated
Comparison with scores in IMSLP indicates this piece is a version, possibly an advanced draft, of 4 Etudes de Concert, op. 111, no. 2 ("Le Carrillon"). The manuscript lacks any dynamic markings, and the final 20+ measures appear to contain only rhythmic and tonal sketches of their final form.
"Deingedenken," scored for soprano or tenor and piano accompaniment, 3 pages plus title, 1873 March 4
Inscribed at top of the title page: "Theod. [illegible] Leopold Janotta in Würdigung seiner Verehrung für den Componisten. Wien. 4.3.73."
“Diora’s Klage”, scored for mezzo-soprano and piano accompaniment, 6 pages, 1855 April 6
Engraved portrait, pasted on matboard, reproduction of 1859 original by C. O. Berger, undated (late 1800s?)
Familienleben, op. 140, piano 4 hands, 1866
All three portions of Familienleben present here bear numerous corrections in ink and via pasted-on staff paper.
Fantasia / Strains of the Scottish Bards, op.80, scored for orchestra, 4 pages, circa 1828
Hommage à Beethoven, scored for 3 pianos, circa 1838-1840
"Humoristische Variationen Scherzo und Festmarsch,” op. 128, scored for piano 4 hands, 32 pages, 1858
With inscribed dedication to Ferdianand Hiller on title page.
Kindermährchen from Grand Characteristic Studies for the Higher Development of Execution and Bravura, op. 95, scored for piano and concertina, 6 pages, 1851 November 1
Inscribed at top of page 1 to Sophie and Isabella Dulken.
“Magyaren Klänge,” op. 123, scored for orchestra, 2 pages, 1852 March
March and Scherzo as Rhythmic Exercises, op. 141, scored for piano,10 pages and 2 title pages, 1868
Meditazzione, Parole del Sigr Salvatore Marchesi, scored for voice and piano, 6 pages, 1851 December 28
No. 1, "Gieb uns täglich brod," music manuscript, scored for voice and piano, 4 pages and title, 1859 November 10
No. 3, "Schmetterling und Liebchen (von W. Gerhard)," music manuscript, scored for voice and piano, 2 pages, 1859
No. 4, “Grossvater Tanz,” scored for piano 4 hands, 6 pages, 1866 September
All three portions of Familienleben present here bear numerous corrections in ink and via pasted-on staff paper.
No. 12, “Canon alla Tarantella,” scored for piano 4 hands, 8 pages, 1866 September
All three portions of Familienleben present here bear numerous corrections in ink and via pasted-on staff paper.