(Box 2, Folders 1 -29; Box 3, Folders 1-6) This series consists of correspondence and information collected by FJD on each of the "Time" magazine covers and their autographers in Series 1. Information is primarily in the form of newsclippings about the individuals and their fields. Correspondence is in the form of xerox copies of ALS or TLS from FJD to the prospective autographer or agent.
One series only.
Consists of correspondence and miscellaneous material relating to individual acquaintances of Commodore Verhoog. Arranged alphabetically.
Correspondence mainly from Jan Philip Roothaan to his family.
(Folder 2) Contains the second folio of the scrapbook, pp.21-40.
(Box 1, Folders 31-58) This series consists of material pertaining to Raissa and Jacques Maritain. Includes correspondence from Jacques Maritain to JKK, papers by various authors about the Maritains, and newsclippings about Jacques Maritain's death.
(Box 1, Folders 31-58) This series consists of material pertaining to Raissa and Jacques Maritain. Includes correspondence from Jacques Maritain to JKK, papers by various authors about the Maritains, and newsclippings about Jacques Maritain's death.
(Box 2, Folders 16 - 73) This series consists of manuscripts and related material including correspondence, generated by Julie and Thomas Kernan. Printed articles are included here.
Playbills and performing arts programs collected by Valerie and Kenneth S. Lynn. Primarily from New York and Washington, D.C., especially Kennedy Center.
This series contains the correspondence between Hilaire Belloc and members of the Allison family over the period 1918-1941.
Series 3 consists of chronological correspondence of John L. Brown from 1932 through 1974. The correspondence is arranged in chronological order. In each folder, both correspondents writing to Brown and correspondents receiving letters from Brown are listed.
Chronological Correspondence. Arranged chronologically.
Chronological Correspondence. Arranged chronologically.
The bulk of this series consists of correspondence written to Janetta Warre while preparing the Teilhard de Chardin Centenary Exhibition in London and Edinburgh in 1982 and 1983.
