This series consists of America Magazine General Correspondence. Within this series will be found folders filed by topic and/or names of specific individuals to and from whom correspondence was either addressed or received. In addition, one will occasionally find correspondence which predates the founding of America Magazine. This particular type of correspondence, normally addressed to Father Wynne, the founding editor, was incorporated into the America Magazine general file.
Photocopies of ten typed letters, two in English, eight in French with English translations from Pierre Teilhard to Wong Wen Hao dated from July 12, 1929 to May 15, 1930.
Photocopies of ten typed letters, nine in English, one in French with English translations from Pierre Teilhard to Wong Wen Hao dated from May 17, 1930 to April 13, 1945.
[Boxes 11 - 16] The next 6 oversize flat boxes contain blueprints and renderings for stage sets. Arrangement is alphabetical by opera.
[Boxes 11 - 16] The next 6 oversize flat boxes contain blueprints and renderings for stage sets. Arrangement is alphabetical by opera.
[Boxes 11 - 16] The next 6 oversize flat boxes contain blueprints and renderings for stage sets. Arrangement is alphabetical by opera.
[Boxes 11 - 16] The next 6 oversize flat boxes contain blueprints and renderings for stage sets. Arrangement is alphabetical by opera.
Correspondence written mostly to Ned O'Gorman, the majority being personal in nature. A few letters relate to the publishing of his poetry.
(Boxes 1 - 3) Contains material related to the production of various operas directed by Mr. Bakman. Includes some correspondence, director's notes, cast lists/directories, rehearsal schedules, renderings/sketches for costumes and sets, photographs and slides of productions and sets, printed reviews, and some blueprints for stage plans. Most of the last are located in the Blueprints (oversized) series.
(Boxes 1 - 3) Contains material related to the production of various operas directed by Mr. Bakman. Includes some correspondence, director's notes, cast lists/directories, rehearsal schedules, renderings/sketches for costumes and sets, photographs and slides of productions and sets, printed reviews, and some blueprints for stage plans. Most of the last are located in the Blueprints (oversized) series.
The National Captive Nations Committee series is subdivided into six thematic cateories, correspondence to and from Lev E. Dobriansky arranged by name and date, correspondence between other members of the committee, published materials, manuscripts and Captive Nations Week Proclamations.