Published weekly by Office of Public Relations for faculty and staff.
Monthly publication produced by the Office of University Development and Public Relations from March 1952-July 1968. Succeeded by "Georgetown Today".
Contains material (programs, tickets, invitations, correspondence, clippings) re activity/performances by student musical groups. Also programs, tickets, dance cards from student proms and dances. From the 1950s onwards, material is included re concerts by professional music groups. Issues surrounding these types of events (damages, disruptions, drug use, etc.), their cancellation in 1970 and reinstatement in 1971 are discussed.
Monthly publication produced by the Office of University Development and Public Relations from March 1952-July 1968. Succeeded by "Georgetown Today".
Articles written by Paul Hume as music critic for the 'Washington Post.' From original chronological clippings files maintained by/for Hume. Some topics are described and indexed, however researchers should note that time and space limit the extensiveness of these. Most of the articles are concert reviews.
Clippings of printed articles about individuals, organizations and miscellaneous subjects relating to music.
Articles written by Paul Hume as music critic for the 'Washington Post.' From original chronological clippings files maintained by/for Hume. Some topics are described and indexed, however researchers should note that time and space limit the extensiveness of these. Most of the articles are concert reviews.
Articles written by Paul Hume as music critic for the 'Washington Post.' From original chronological clippings files maintained by/for Hume. Some topics are described and indexed, however researchers should note that time and space limit the extensiveness of these. Most of the articles are concert reviews.
Articles written by Paul Hume as music critic for the 'Washington Post.' From original chronological clippings files maintained by/for Hume. Some topics are described and indexed, however researchers should note that time and space limit the extensiveness of these. Most of the articles are concert reviews.