Skip to main content
Please contact the Booth Family Center for Special Collections for assistance with accessing these materials.

Box 8

 Container

Contains 18 Results:

Harriet, Harriet, 1982 - 1984

 File — Multiple Containers
Scope and Contents

Drafts, sketches, working copies, and finished drafts on vellum (box 8). Correspondence regarding permission to adapt the picture book "Harriet and the Promised Land" by artist Jacob Lawrence for a performance by the Boys Choir of Harlem (box 19).

Dates: 1982 - 1984

Hodie Christus Natus Est, 1992-10

 File — Multiple Containers
Scope and Contents

SATB. Finished draft on vellum and sketches (box 8). Sketches, drafts, notes, master copies and working copies (box 19).

Dates: 1992-10

I Am A Black Woman, undated

 File — Box: 8, Folder: 4
Scope and Contents

Solo flute and piano. Sketch only.

Dates: undated

I don't reckon my baby comin' back at all, undated

 File — Box: 8, Folder: 4
Scope and Contents

Contralto and organ. Poem by Owen Dodson to music by Da Costa. Vellum master and large copies.

Dates: undated

I Have a Dream, 1971

 File — Multiple Containers
Scope and Contents

SATB, orchestra or organ; includes a fanfare and a postlude. Finished draft of chorale and organ part on vellum, finished drafts of fanfare and postlude on green staff paper, and working copies (box 8). Sheet music published by Hinshaw Music, Inc., including Da Costa's copy with attached sketch for solo improvisation (box 20).

Dates: 1971

I'm Nobody, 1956-06

 File — Box: 8, Folder: 6
Scope and Contents

Poem by Emily Dickinson set to music by Da Costa. Finished draft on vellum and copies.

Dates: 1956-06

I'm So Glad Trouble Don't Last Always, 1962-11

 File — Box: 8, Folder: 7
Scope and Contents

SAATBB. From Religious Folk-Songs of the Negro, edited by R. Nathaniel Dett; arranged by Noel Da Costa.

Dates: 1962-11

I'm Troubled, undated

 File — Box: 8, Folder: 7
Scope and Contents

For voice and orchestra, sketches only. Arrangement of "I'm Troubled In Mind", from Religious Folk Songs of the Negro, edited by R. Nathaniel Dett.

Dates: undated

In Evening Air, undated

 File — Box: 8, Folder: 8
Scope and Contents

For chamber orchestra, after a poem by Theodore Rothke. Sketches and drafts only.

Dates: undated

In Paradisum, 1959-04

 File — Box: 8, Folder: 9
Scope and Contents

SATB. To Vincent Sperando (in memoriam). Copy only.

Dates: 1959-04

In Space, 1972-04-30

 File — Multiple Containers
Scope and Contents

Composition in four parts (Take Off Vibrations, Earth Song, Space Walking, and Changes) written for double bassist Ron Carter. Finished draft on vellum and copy (box 8). photocopy (box 20). Photocopy (box 26).

Dates: 1972-04-30

In the Circle, 1970

 File — Multiple Containers
Scope and Contents

Interpolation on a Hatian folk tale, for four electric guitars, fender bass, and percussionist. To Richie Resnicoff. Finished drafts of full score and parts on vellum, copies, and working copies (box 8). Annotated conductor's copy (box 17).

Dates: 1970

In the Landscape of Spring (Three Zenrin Poems), 1962-04

 File — Multiple Containers
Scope and Contents

Mezzo soprano, 12 instrument ensemble. To Mary B. Rucker. (box 8). Photocopy (box 20, box 26).

Dates: 1962-04

In the Quiet of …, 1985

 File — Box: 8, Folder: 12
Scope and Contents

Vocalise, Soprano, viola, vibraphone.

Dates: 1985

Invocation to Dambala, undated

 File — Box: 8, Folder: 13
Scope and Contents

Voice with brass accompaniment. Sketch only, adapted from Werner A. Jaegerhuber's collection of Hatian folk music.

Dates: undated

I See the Moon, 1955-09

 File — Box: 8, Folder: 14
Scope and Contents

SA and piano. Finished draft on vellum.

Dates: 1955-09

Iswara Drum Beat, 1988-06-16

 File — Box: 8, Folder: 15
Scope and Contents

2 bass drums. In memoriam T.R. Hakim. Sketches and finished draft on vellum.

Dates: 1988-06-16

Jes' Grew, 1973

 File — Multiple Containers
Scope and Contents

Solo violin, electric piano. Copies, notes, and a copy of a letter to Lisa Tipton regarding the playing of the piece.

Dates: 1973