The collection consists of programs and promotional materials for the Colour of Music Festival dating from 2022 to 2024. These include performances at Carnegie Hall; Charleston, SC; and Sacramento, CA.
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The Colour of Music Festival, Inc. presents a diverse classical repertoire of baroque, classical and 20th-century music at the highest of musical standards to diverse audiences nationally. The festival has presented in Atlanta, Georgia; Charleston and Columbia, South Carolina; Nashville, Tennessee; Houston; Pittsburgh, Pennsylvania; Richmond, Virginia; Washington, D.C.; Tulsa, Oklahoma; and Sacramento, California.
Few classical music enthusiasts are aware of the tremendous contributions of Le Chevalier de Saint-Georges, an African-French composer whose opera and classical masterpieces equaled or far exceeded those of his 18th-century contemporaries. Although his compositions are highly recognized overseas, they have gathered little notice in the United States. Today there are thousands of celebrated and prodigiously talented classical principals, composers and performers of African descent throughout the world. Yet, their opportunities to grace concert stages of major American orchestras are rare to non-existent. The Colour of Music Festival’s mission is reversing this trend.
Since 2013, the Colour of Music Festival offers a musical kaleidoscope highlighting the impact and historical significance of Black classical composers and performers on American and world culture. The Colour of Music Festival began with performances at various venues throughout historic Charleston, South Carolina and has grown to debut in cities across the country with artists from across the globe.
Assembling acclaimed Black chamber ensemble players and artists to form the Colour of Music Orchestra, the Festival showcases some of the top Black classical musicians in the United States, trained at some of the most prestigious music schools, conservatories and universities in the world.
[Source: https://www.colourofmusic.org/]
0.1 Cubic Feet (2 folders)
English
Gift of Lee Pringle, 2024.
The collection has been rehoused in acid-free folders.
Part of the Georgetown University Manuscripts Repository