This collection is currently unprocessed and access to it may therefore be limited. Researchers are advised to contact the Booth Family Center for Special Collections for more information on access to this collection.
The collection contains the records of two formers directors of the Future of Music Coalition.
Records of Jean Cook, Future of Music Coalition (FMC) director and researcher, related to the Future of Music Coalition's Artists Revenue Streams Project, international project work, radio consolidation research, and other FMC initiatives. Includes research data, reports, background research files, grant material, training and workshop files, interviews, case study data, and other organizational files and documentation.
Records of Kristin Thomson (FMC director and researcher) related to Future of Music Coalition events and programs, including the annual Music Policy Summit, speaking tours, and benefits; research related to radio deregulation. Includes annual and project reports, marketing and promotional materials (postcards, posters, buttons), event programs, speeches and remarks, fact sheets, and related material.
This collection is currently unprocessed and access to it may therefore be limited. Researchers are advised to contact the Booth Family Center for Special Collections for more information on access to this collection.
Researchers are solely responsible for determining the copyright status of the materials being used, establishing who the copyright owner is, locating the copyright owner, and obtaining permission for intended use.
Future of Music Coalition (FMC) is a Washington D.C.-based nonprofit organization supporting a musical ecosystem where artists flourish and are compensated fairly and transparently for their work.
FMC works with musicians, composers and industry stakeholders to identify solutions to shared challenges. We promote strategies, policies, technologies and educational initiatives that always put artists first while recognizing the role music fans play in shaping the future. FMC works to ensure that diversity, equality and creativity drives artist engagement with the global music community, and that these values are reflected in laws, licenses, and policies that govern any industry that uses music as raw material for its business.
OUR HISTORY
Founded in June 2000 by musicians, artist advocates, technologists and legal experts, Future of Music Coalition works to ensure that musicians have a voice in the issues that affect their livelihood. FMC’s activities are rooted in the real-world experiences and ambitions of working musicians, whose perspectives are often overlooked in policy debates. Over the years, FMC has provided an important forum for discussion about issues at the intersection of music, technology, policy and law. Guided by a firm conviction that public policy has real impact on the lives of both musicians and fans, FMC advocates for a balanced approach to music in the digital age — one that reflects the interests of all stakeholders, and not just the powerful few. By documenting historic and emerging trends in the music industry, FMChas become a trusted voice in the ongoing dialog about the challenges and opportunities facing today’s musicians.
Founded in June 2000 by musicians, artist advocates, technologists and legal experts, Future of Music Coalition works to ensure that musicians have a voice in the debates that shape the industry, now and in the future. FMC’s 2000 manifesto framed the original intent of the organization around three core issues:
We build this organization as an attempt both to address pressing music-technology issues and to serve as a voice for musicians in Washington, DC, where critical decisions are being made regarding musicians’ intellectual property rights without a word from the artists themselves.
No longer will corporate media and big money be able to frame the discussion of music solely in terms of their industries, as we draw together the strongest voices in the technology and independent music communities to address questions of music in the marketplace with a clear-eyed focus on the interests of the artists.
No longer will business interests or lobby groups for business interests drown out the voices of the musicians on whose art they have built an industry.
No longer will idealistic techies and idealistic musicians find themselves locked into opposing sides of an issue that profoundly affects both of our communities.
FMC’s work is rooted in the real-world experiences and ambitions of working musicians, whose perspectives are often overlooked in policy debates. Over the years, FMC has provided an important forum for discussion about issues at the intersection of music, technology, policy and law. Guided by a firm conviction that public policy has real impact on the lives of both musicians and fans, FMC advocates for a balanced approach to music in the digital age — one that reflects the interests of all stakeholders, and not just the powerful few. By documenting historic and emerging trends in the music industry, FMChas become a trusted voice in the ongoing dialog about the challenges and opportunities facing today’s musicians. In fighting for a legitimate digital music marketplace and a broadcast media that values local and independent culture, FMC helps establish a healthier music ecosystem.
[Source: Future of Music Coalition website. https://www.futureofmusic.org/about. Last accessed May 4, 2023]
9 Cubic Feet (9 boxes and 1 oversized folder)
1.12 Gigabytes (23 files)
English
Gift of Future of Music Coalition (Jean Cook and Kristin Thomson), 2018.
The collection has been rehoused in archival-quality boxes. It consists of two accessions: GTM-180630 and GTM-181017.
Part of the Georgetown University Manuscripts Repository