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Margaret Bonds Papers

Identifier: GTM-130530

Scope and Contents

The collection consists of hundreds of pages of Margaret Bond's music manuscripts and manuscript fragments, letters and cards from Langston Hughes and others, photographs, programs, and ephemera.

See the External Documents section below for a detailed inventory to the collection.


  • 1917-1971, 2020-2022
  • Majority of material found within 1930s-1970


Conditions Governing Access

Most manuscripts collections at the Georgetown University Booth Family Center for Special Collections are open to researchers; however, restrictions may apply to some collections. Collections stored off site require a minimum of three days for retrieval. For use of all manuscripts collections, researchers are advised to contact the Booth Family Center for Special Collections in advance of any visit.

Conditions Governing Use

Researchers are solely responsible for determining the copyright status of the materials being used, establishing who the copyright owner is, locating the copyright owner, and obtaining permission for intended use.

Biographical Note

Margaret Bonds (1913-1972) was an African-American composer, best known for her collaborations with Langston Hughes as they combined his poetry with her music.

Margaret Jeanette Allison Majors was born March 3, 1913 in Chicago. Her parents divorced in 1917 and her last name was changed to her mother’s maiden name Bonds. She was a charter member in High School of the National Association of Negro Musicians’ Junior Music Association and entered Northwestern University to study music in 1929, at the age of 16. She won an Honorable Mention in the Wanamaker Competition for her composition “A Dance in Brown” in 1931, and First Prize for the song “Sea Ghost” the following year. She was the first African-American pianist to perform as soloist with the Chicago Symphony Orchestra in 1933.

Bonds met Langston Hughes in 1936, and a lifelong friendship and collaboration ensued. In that year she composed several Hughes songs including “The Negro Speaks of Rivers,” “Love’s Runnin’ Riot” and “Winter Moon.” They went on to collaborate on innumerable large and small projects, including “Ballad of the Brown King” and “Shakespeare in Harlem.” Bonds moved to New York City in 1939 and married William Richardson that same year. Her daughter Djane was born in 1946. In 1964 she received the first of three ASCAP awards. She moved to Los Angeles in 1967. She died in 1972, at the age of 59.

In collaboration and independently Bonds wrote art and popular songs, choral and orchestral works and piano pieces. Throughout her life she composed, performed and taught in multiple venues.


7.5 Linear Feet (18 boxes and 1 folder)

Language of Materials


Metadata Rights Declarations

Immediate Source of Acquisition

Purchased from Schubertiade Music (2013 and 2014) and Nudel Books (2014 and 2016) with funds provided by the Leon Robbin Library Endowment Fund.

Many of the papers originated from the estate of Bonds' daughter Djani Richardson.

Published scores based on manuscripts found in this collection were donated by Hildegard Publishing Company, 2020-2022.

The collection combines the following accessions: GTM-130530, GTM-140319, GTM-140611, GTM-20160401, and GTM-20220412.

Processing Information

The collection has been rehoused in acid-free boxes and folders. The inventory for the collection was created by Sofie Brown and Breanna Lewis in 2023.

Stephanie Hughes
Description rules
Describing Archives: A Content Standard
Language of description
Script of description

Revision Statements

  • 2023: Edited for DACS-compliance and container list updated by John Zarrillo.
  • 2024-01: Accession GTM-20220412 added to the collection by John Zarrillo.

Repository Details

Part of the Georgetown University Manuscripts Repository

Lauinger Library, 5th Floor
37th and O Streets, N.W.
Washington DC 20057