Hagstrum, Jean H., 01/01/1969-12/31/1973

10 Offprints by Jean H. Hagstrum. Titles include: review of Arthur Sherbo's "Johnson on Shakespeare" from "Studia Neophilologica" (1969); review of Robert T. Petersson's "The Art of Ecstasy: Saint Teresa, Bernini, and Crashaw" from unknown source (1970?); review (photocopy) of Stanley Burnshaw's "The Seamless Web" from "Comparative Literature Studies" (1970?); review (photocopy) of Mario Praz's "Mnemosyne: The Parallel Between Literature and the Visual Arts" from "English Language Notes" (06/1971); review of W.J. Bate's "Samuel Johnson: The Rambler" from "Studia Neophilologica" (1971); "Verbal and Visual Caricature in the Age of Dryden, Swift, and Pope" from "England in the Restoration and Early Eighteenth Century: Essays on Culture and Society" (1972); "Dryden's Grotesque: An Aspect of the Baroque in His Art and Criticism" from "Writers and their Background: John Dryden", edited by Earl Miner (1972); "Babylon Revisited, or the Story of Luvah and Vala" from "Blake's Sublime Allegory: Essays on The Four Zeas, Milton, and Jerusalem", edited by Stuart Curran (1973); "Christ's Body" from "William Blake: Essays in Honour of Sir Geoffrey Keynes" (1973); and "Gray's Sensibility" from unknown source. Two offprints include autograph inscriptions from the author to William K. Wimsatt, Jr.